Gaba Wright is a composer, songwriter, lyricist, and music producer from Sydney, Australia.

Gaba specialises in composing music for media - that is, film, television, games, advertisements, and other formats. Most recently, Gaba’s work has featured on television shows such as Bondi Rescue, Cult Justice (USA), The Rise & Fall of Kings Cross, Murder Down Under, and The Great Australian Bakeoff. He has composed for numerous short films and documentaries, such as ‘Aviators’ (2024), ‘The Bad Room’ (2024), and ‘Waves of Change’ (2024). Gaba also has experience integrating original music into The Skeleton Gang's game 'Lair of the Narcomancer'.

Gaba has composed original music for advertisements and campaigns for NSW Health and The University of Sydney, as well as having orchestrated and arranged for MADBS Composing Palace for performances at the Sydney State Theatre in 2021. Furthermore, he has composed and conducted music for International Grammar School's original productions of Shakespeare's 'The Tempest' (2019), Ned Manning's 'Alice Dreaming' (2023), and arranged music for Globe Management and Productions (2024).

Gaba also has extensive experience composing for chamber ensembles. He has received accolades for his large-scale choral/loopstation work 'INNERMIND' (2021), 'Night Waves' and 'Why Do I Get Up?' (2018), 'Gone, Gone Again' (2019), 'Weekdays' (2020), and 'Nightbus to Nowhere' (2021). In December 2024, his new composition ‘As Time Goes By’ was debuted at the Sydney Opera House, performed by The Nexas Quartet and Australian Baritone Peter Coleman-Wright AO. 

Gaba is also a confident songwriter and lyricist, having written and co-produced multiple albums, EPs, and singles both for himself and other artists. His own releases ‘Afterhours’ (2020) and ‘Maybe In the Darkness’ (2024) have been met with success; spawning interviews with Happy Mag, Girl At the Rock Show, and multiple radio appearances - as well as live performances in and around Sydney, NSW.

Gaba is a pianist, vocalist, saxophonist, and percussionist. He is confident working with VSTs and sample libraries as well as recording and mixing live instruments. He’s currently studying a Masters of Arts Screen at the Australian Film Television and Radio School, and partaking in multiple upcoming short films and documentaries set to be produced in 2025.